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Collated by Deirdre O'Mahony
Books and Articles
Billing, Johanna, Maria Lind, and Lars Nilsson, eds. Taking the Matter into Common Hands: On Contemporary Art and Collaborative Practices: Black Dog Publishing, 2007.
Bishop, Claire. "Antagonism and Relational Aesthetics." October, no. 110 (Fall 2004): 51-79.
———, ed. Participation, Documents of Contemporary Art: Whitechapel, 2006.
———. Artificial Hells: Participatory Art and the Politics of Spectatorship. Verso Books, 2012.
Boal, Augusto. Theater of the Oppressed. Pluto, 2000.
Bourriaud, Nicolas. Relational Aesthetics. Translated by Simon Pleasance, Fronza Woods and Mathieu Copeland. Les presses du réel, 2002.
Bradley, Will, and Charles Esche. Art and Social Change: A Critical Reader. Tate Publishing, 2007.
Brenson, Michael, Mary Jane Jacob, and Eva M. Olson. Culture in Action: A Public Art Program of Sculpture Chicago. Seattle: Bay Press, 1995.
Deutsche, Rosalyn. Evictions: Art and Spatial Politics. Cambridge, MA: MIT Press, 1998.
Doherty, Claire, ed. Out of Time Out of Place: Public Art Now Art Books/Situations, 2015.
———, ed. Situation, Documents of Contemporary Art: MIT Press, 2009.
Finkelpearl, Tom. Dialogues in Public Art. MIT Press, 2001.
Foster, Hal. The Return of the Real. 1996. Cambridge: MIT Press, 2001. Print.
Freire, Paulo. Pedagogy of the Oppressed: 30th Anniversary Edition. Bloomsbury Publishing, 2014.
French, Blair, and Anne Loxley, eds. Civic Actions: Artists' Practices Beyond the Museum. Museum of Contemporary Art, 2017.
Frieling, Rudolf, and San Francisco Museum of Modern Art, eds. The Art of Participation: 1950 to Now. Thames & Hudson, 2008.
Helguera, Pablo. Education for Socially Engaged Art: A Materials and Techniques Handbook. Jorge Pinto Books, 2011.
Hickey-Moody, Anna, and Tara Page. Arts, Pedagogy and Cultural Resistance: New Materialisms. Rowman & Littlefield International, 2015.
Hinderliter, Beth, Vered Maimon, Jaleh Mansoor, and Seth McCormick, eds. Communities of Sense: Rethinking Aesthetics and Politics. Durham: Duke University Press, 2009.
Joyce, Trevor, and Shepherd Steiner, eds. Cork Caucus: On Art, Possibility and Democracy: Revolver, 2005.
Kaprow, Allan. Essays on the Blurring of Art and Life. Berkeley: University of California Press, 1993.
Kester, Grant. "Dialogical Aesthetics: A Critical Framework for Littoral Art." Varient 9 (1999): 2000.
———. Conversation Pieces: Community and Communication in Modern Art. University of California Press, 2004.
———. The One and the Many: Contemporary Collaborative Art in a Global Context. Duke University Press, 2011.
Kwon, Miwon. One Place after Another: Site-Specific Art and Locational Identity. Cambridge, MA: MIT Press, 2002.
Lacy, Suzanne. Mapping the Terrain: New Genre Public Art. Seattle: Bay Press, 1995.
———. Leaving Art Writings on Performance, Politics, and Publics, 1974 – 2007. Durham/London: DUP 2010. Print.
Lind, Maria “The Collaborative Turn.” Taking the Matter into Common Hands: On Contemporary Art and Collaborative Practices. Eds. Johanna Bhilling, Maria Lind and Lars Nilsson. London: Black Dog Publishing 2007.
Lippard, Lucy. --- The Lure of the Local: senses of place in a multi-centered society. New York: The New Press, 1997.
———. On the Beaten Track—Tourism, Art and Place. New York: The New Press, 1999.
Malpas, J.E. Place and Experience. Cambridge: CUP, 1999. Print.
Massey, Doreen. For Space. London: SAGE Pub., 2005.
———. Space, Place, and Gender. Minneapolis: University of Minnesota Press, 1994.
Mead, Rosemary. “Our country’s calling card. Culture as the Brand in Recessionary Ireland’, Variant 43, Spring 2012
Miessen, Markus. The Nightmare of Participation: Crossbench Practice as a Mode of Criticality. Sternberg Press, 2010.
Murphy, Ailbhe., “Should I Stay Or Should I Go Now”, Fugitive Papers #5, November 2013.
O’Mahony, Deirdre, “Aughty In Transit(ion): Are We There Yet?”. Flannagan, T. & M. Morley Aughty, Artist Book/DVD, 2013.
Mitchell, W.J.T. ed. Landscape and Power. 2nd edition. The University of Chicago Press: Chicago and London, 2002.
Mouffe, Chantal. “Politics and Passions. The Stakes of Democracy.” Centre for the Study of Democracy, University of Westminster, 2002. Web. June 16th 2009.
———. “Democracy in a Multipolar World.” Millennium – Journal of International Studies. SAGE, 2009. 540 – 561. Web. 25th July 2011.
———. “Artistic Activism and Agonistic Spaces.” ART&RESEARCH 1: 2, Summer 2007. Web. 12th July 2009.
———. “Every Form of Art has a Political Dimension.” Chantal Mouffe, interviewed by Rosalind Deutsche, Brandon W Joseph, and Thomas Keenan, Grey Room 02, Winter 2001, 98 - 125. Web. 4th Aug 2009.
O'Neill, Paul, and Claire Doherty, eds. Locating the Producers: Durational Approaches to Public Art: Valiz, 2011.
Purves, Ted, and Shane Aslan Selzer. What We Want Is Free: Critical Exchanges in Recent Art. SUNY Press, 2014.
Steve Pile and Michael Keith, eds. Geographies of Resistance. London: Routledge, 1997.
Shaughnessy, Nicola. Applying Performance: Live Art, Socially Engaged Theatre and Affective Practice. Palgrave Macmillan, 2012.
Sholette, Gregory. Dark Matter: Art and Politics in the Age of Enterprise Culture. Pluto Press, 2010.
———. Delirium and Resistance: Activist Art and the Crisis of Capitalism. Pluto Press, 2017.
Stimson, Blake, and Gregory Sholette, eds. Collectivism after Modernism: The Art of Social Imagination after 1945. University of Minnesota Press, 2007.
Thompson, Nato. "Contractions of Time: On Social Practice from a Temporal Perspective." e-flux, no. 20 (2010): 1-6.
———. Living as Form: Socially Engaged Art from 1991-2011. MIT Press, 2012.
———. Seeing Power: Art and Activism in the Twenty-First Century. Melville House, 2015.
Thompson, Nato, Gregory Sholette, Joseph Thompson, Arjen Noordeman, and Nicholas Mirzoeff. The Interventionists: Users' Manual for the Creative Disruption of Everyday Life. MIT Press, 2004.
Tuck, Eve, and K. Wayne Yang. "Decolonization Is Not a Metaphor." Decolonization: Indigeneity, education & society 1, no. 1 (2012).
Vishmidt, Marina. "Mimesis of the Hardened and Alienated”: Social Practice as a Business Model." e-flux, no. 43 (2013).
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